Glue Compressor: from Cytomic, a new Compressor modeling a (cough) popular 80s compressor.

More sounds: 3500 sounds in Suite, and a surprising number in Standard, all with easy-to-control Macro controls.

A new Browser: The browser is now better organized, easier to customize, faster, now makes it possible to audition more presets instantly, and searches all devices and content from one place.

It’s not Melodyne, but it’s uniquely fun in the context of Live’s Session View.

Convert audio to MIDI – the “pretty freakin’ awesome” feature: Transform melodic (monophonic), harmonic (polyphonic), and percussion audio content into editable MIDI clips, transcribing pitches, drum parts, and rhythms.

Session automation – the “about freakin’ time” feature: Record automation into clips (no dummy clips), move clips between Session and Arrange, and use curved automation in Session and Arrange.And alongside these enhancements, you’ll also find a host of new sounds and preset content with which to work.įirst, here’s a quick look at what’s new, before we go into more detail and consider this more musically:

There are also some features, conceived for Push, that could benefit people using any hardware controller they choose. The software update brings new ways of transforming sound into MIDI, new and improved devices for shaping sounds, tools for automation that work inside clips and with curved interpolation, a new Browser, and a number of interface and usability enhancements. But mostly, look to the bottom of your screen: automation recording in clips, and curves in automation, at last.Ībleton today has revealed the details of Live 9, alongside new hardware called Push.

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